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Positive Feedback ISSUE 56
july/august
2011
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The Bryston BDP-1: A Musical Squeezebox of Sound
by Andy Schaub
"Mama's got a squeezebox
She wears on her chest
And when Daddy comes home
He never gets no rest
'Cause she's playing all night
And the music's all right
Mama's got a squeezebox
Daddy never sleeps at night"
–The Who
The Bryston BDP-1 is not exactly a squeezebox, but
it is a source of beautiful sound; and paired with the right DAC, a storage
device like a thumb drive or hard drive (Windows formatted), and some sort of
control device (which, strictly speaking, is not necessary), you can have a
complete digital music server without ever touching a Mac and without
ever plugging your computer into your stereo system, sort of. You see the genius
behind the BDP-1 is that it is a computer running the Linux operating system
that has just been stripped down to do nothing but play music. It is true that
you have to organize your music files in a certain way on a FAT32 or NTFS-formatted
volume (i.e., a thumb/flash drive, a magnetic hard drive, a solid state drive,
anything that uses a USB connection); but that's all right, because it's really
easy to do. It goes something like this:
1. Drive
2. Main Music Directory/Folder
a. Artist
b. Album
c. Song (s)
d. Cover Art
…and repeat until you've added as many artists,
albums, and songs as you like.
The Bryston is not particularly picky about this
stuff and will play things in pretty much any order you setup; but the software,
like their web interface, MPod and MPad (Apps for the iPod Touch or iPhone and
iPad respectively) all need a little work, so you're helping them by organizing
the music in the way that they expect… at which point you can create a playlist
of just one album (or more); and off you go!

Basically, James Tanner got frustrated trying to
create a digital music server and decided to build one from the bottom up
himself; optimized for sound. He choose the Linux operating system because of
its flexibility, simplicity, and the fact that it was so widely supported, plus
he could strip out what he didn't want. He also chose a very good soundcard to
do the S/PDIF conversion, and settled on a perfectly fine directory structure as
a default. His company, Bryston, already had a very good 24/192 DAC on the
market, and although I didn't use that, somewhat deliberately, I found the BDP-1
paired well with the Orb Jade 2 DAC (also capable of 24/192 performance) using
the Locus Design Core S/PDIF cable. Now at this point I should probably go into
a long discussion about the technology of the Bryston and measure its signal to
noise ratio; but I think that plenty of people have done that and I want to
discuss its sound subjectively.
The BDP-1 has a very rich, very clean sound with
ample bass and astonishingly low levels of distortion. In that sense, it
reminded me of some products from Allen Perkins (the old RPM-1 and 2 turntables
and more recently Spiral Groove) which also strive to have very low levels of
distortion. It isn't until you hear such a low distortion system that you
realize all the "fuzz" that you thought came from the dust on your stylus was
actually coming from the noise in your electronics, or somewhere else. While I
do think there is a certain finesse to my home-grown digital music server—and
I was lucky enough to start with a Macintosh—it doesn't have the deep bass
definition nor the strikingly low levels of distortion that I get from the
BDP-1. The only area of complaint I have is that the software used to run all
this, even MPad, leaves a little to be desired when you compare it to iTunes;
and of course you can't insert Amarra. However, it is really nice to just load
up some media with FLAC files—organized according to the outline above—plug
it into the BDP-1, let it do a little recognition and start creating playlists
on my iPad 2 that just run and run with music, everywhere up to 24/192 which—via the BDP-1—sound delicious.

One thing that is nice is that you don't need an
expensive DAC to bring the best out of the BDP-1; the Orb Jade 2 sells for under
$2K. However, if you have a more expensive DAC, I'm sure the BDP-1 would not be
the limiting factor. Also, it's REALLY nice to have a component in your system
that doesn't look like a computer. Many people are flocking to Mac Mini's as
their digital music server computers; and they are supposed to sound very good.
If you try really hard, you can kind of get it to look like it's an audio
component; however, I still use a 17" MacBook Pro with 8GB of RAM and a 256GB
SSD as my music computer, so it definitely looks like a laptop sitting on top of
my Quadraspire stand. That may be a minor complaint; but aesthetics are
important to me and after using the BDP-1, I got so used to remote controlling
everything that I actually bought a copy of "Remote Desktop" from Apple to run
my 17" MacBook Pro from 11" MacBook Air giving me much the same functionality I
had when I ran the BDP-1. Now you can run the BDP-1 from its front panel; but
it's awkward and you need a computer to create the music data anyway. So I don't
think that that's an issue. Just remember if you're using a Macintosh you need
to format the drive you plan to plug into the Bryston with the FAT32 file
system, because as of this writing you can't load files created in the
Macintosh's native format, a minor inconvenience.

I mentioned that I felt the Bryston would synergize
with a more expensive, higher-resolution DAC than the Orb Jade 2, not that
there's anything wrong with the latter; fortunately, my new reference DAC—which I purchased to replace my overly resolute dCS Debussy—arrived.
Specifically, it is a Berkeley Audio Labs Alpha DAC, or "BADA". The combination
of the BDP-1 and the BADA is strikingly neutral, and while I have a great
fondness for my 17" MacBook Pro and Sonicweld Diverter, I have to confess the
BDP-1 may be more accurate in terms of playing what is actually on the drive.
It's certainly easier to set up. Playing John Ward: Consort Music for Five
and Six Viols by Phantasm on Linn Records at 24/192, there was a striking
sense of air and ambience around the instruments and the sense that the
overtones of the strings could reach for the sky. Playing "The Girl From Ipanema"
from the 24/96 copy of Getz/Gilberto, the voices had an almost Quad-like
purity to them. What it revealed to me, is that the BDP-1 really plays it as it
is, with no coloration, no hint of distortion, and no homogenization. Does it
lack a slight sense of vinyl-like finesse that I get from my full-blown digital
music server? Yes; but that fact that it could only improve with a $5000 DAC
(the best DAC I've heard short of my Audio Note DAC 4.1 Balanced) with $5K+ of
analog interconnects, only attests to the engineering acumen of Bryston and
James Tanner. Well done.

Now lets talk a little about the software. First,
it's not iTunes; but that's okay because it gets things done. Even the
web-based application for managing music works very well, as long as you
remember one thing: in iTunes, playlists are "add ons". In the Bryston software,
they're the center of the world. Everything plays from a playlist, which you can
construct and destroy interactively with helpful tools like buttons above the
album contents that say "Add All [to Play List]". Once you have that sorted out,
you can't go wrong.
So what else can I say? The Bryston BDP-1 is a
remarkable musical computer that just requires a S/PDIF cable and a DAC to bring
you into age of computer-based music (OK, you need a flash drive or hard drive
and some kind of computer to manage the music and remote control the Bryston; an
iPhone, iPod Touch or iPad helps); but no matter how you look at it this is a
remarkable device that gets that much closer to integrating the Internet into
your home audio system and doing so with aplomb.
"Mama's got a squeezebox
Daddy never sleeps at night"
–The Who
Kindest regards,
Andy
P. S. In order to optimally use the BDP-1, you will
need a wireless router—not just an Internet modem—to both share the
connection with the BDP-1 and your computer and to use portable devices for
remote control; but everyone has one of those these days, even my nameless,
non-audiophile girlfriend.
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